The temple belongs, architecturally, to the Kannada Chalukya empire, and may are initially designed circa 700 AD. Mounted on a stone platform, the image of the four-armed and topped immortal is created of gem and weighs concerning 40 kilograms. The image of Mahalakshmi sculptured in black stone is three feet tall. The Shri yantra is sculptured on one in all the walls within the temple. A stone lion, the Vahana of the immortal, stands behind the sculpture.
Although many elements of the temple are of the half of the second millennium Ce, epigraphic references place the immortal within the seventh century Ce and therefore the temple within the 10th century Ce. For a period within the interim, this temple had fallen out of worship and therefore the image of the immortal was housed elsewhere. Worship was fixed within the year 1715 once the Marathas rose to power.The Temple The main entrance Mahadwara of the temple is that the western entrance. Upon coming into the Mahadwara one is confronted with many deepamaalas on either aspect and enters the Garuda mandap with sq. pillars and foliated arches of wood, characteristic of Indian temples. This mandap dates back to the eighteenth century. a picture of Hindu deity faces the sanctum. Another stone mandap, on a raised platform enshrining Ganesh, conjointly faces the sanctum. Following this can be the mandap with three shrines facing west. The central one is that of Mahalakshmi and therefore the 2 on either aspect are those of Mahakali and Mahasaraswathi.
Five worship services are offered every day here. the primary one is at five am, and it involves the waking of the immortal with a Kakada – torch, to the accompaniment of hymns. The second worship service at eight involves the giving of the Shodashopachara pooja consisting of sixteen parts. The afternoon and evening services and therefore the Shejaarati pooja represent the 3 alternative services.